Dystopian mornings in London

I tragically fell into the habit of visiting a certain coffee and tea house every morning.

I’m a creature of habit; that’s one of the very few things I know about myself for sure. Routine grounds me, prevents my mind from running off into whirlwinds of worry and doom about there not being enough time (time for what? I don’t know, really, but I always feel like I’m about to run out of it.)

So when I realized that my sanity depended on the little chalkboard that said, “Coffee room open,” before the staircase that leads to the basement, I knew I was deep trouble. The fact that this certain coffee shop was a whole 5.5 thousand kilometres away from home wasn’t about to make anything easier.

(For the better part of 2019, I lived in London. I stayed there for another month and a half of 2020, but I didn’t develop this infatuation with that coffee house until the last two weeks.)

But I still went everyday, tormented by the thought that I’ll have to tear this part from my daily life soon. My mother joked that I met a lover there; that would explain why I was so dedicated.

(I didn’t.)

Inside the coffee house is another staircase, steep and a few hundred folds as claustrophobic as one outdoors. It takes you down to the cafe, and it honestly is a magical, magical thing how descending down that narrow set of steps brings about new sounds and noises and light, a little morning tucked in a coffee-scented basement in London.

I would drink my coffee in peace, with myself and everything else. I’m a terribly conflicted person inside, an anxious, angry mess. But I don’t think about it, or about life and what it may bring. I just have my flat white in such a serenity so foreign to me and the constant grinding in my brain.

This may sound incredibly romanticized, the half-hour I spend in a café being nothing more than daily routine to many. But it’d become a sort of ritual, a cherished and private escape from myself before anything else. I would read a tragic non-fiction book, Midnight in Chernobyl while listening to its audiobook, because I like it that much, and because Russian names are very difficult to keep track of.

In a sense I didn’t become unaware of the madness of the world above that little basement, but I just for a half-hour detached myself from it. There’s no dystopia more vivid than this reality– and I can’t tell if it’s a coping mechanism, our brain’s final attempts at grasping whatever thinning strands of hope it can find, seeking comforts enveloped within this world, hidden in it’s folds. But if it’ll spare me the torment of all this dread I’ll take it, delusion or not, for a few minutes of my day.